How to Frame Fine Art Prints
A good frame does two jobs: it lets you enjoy the print and helps protect it. Start by keeping the paper off the glass, then choose a mat and backing made for art. Hang the finished frame away from direct sun. Even glass that filters ultraviolet light cannot make sunlight harmless.
What Goes Inside the Frame?
Think of the frame as a sandwich. Each layer has a job.
- Glass or acrylicShields the print from dust and handling.
- Mat or spacersLeaves a gap so the print does not touch the glass.
- The printSits flat without tape or glue on its face.
- Backing boardSupports the paper behind the art.
Measure the Print, Not Just the Picture
Check both the image size and the full paper size. The white border may be part of what you want to show. Tell the framer which edges should stay visible before the mat is cut. A narrow mat feels tidy; a wider one gives a busy image more room to breathe.
Ask About the Materials
Ask for a mat and backing that are acid-free and lignin-free. Ask how the print will be held in place. Corners or other mounts that can be removed later are better than sticking tape straight to the art. If the print is valuable or fragile, ask a trained framer or conservator to handle it.
Pick a Spot That Helps It Last
Keep the frame away from direct sunlight, strong lamps, damp rooms, and heat. UV-filtering glass or acrylic helps, but it does not stop all light damage. A simple black, white, or natural wood frame can let the work stay in charge of the room.
Five Questions to Ask the Framer
- Will the print touch the glass?
- What mat and backing will you use?
- How will you hold the print without taping its face?
- What are the full paper size and the visible image size?
- Where should I hang this particular print?
The Library of Congress framing guide explains why these materials and the gap behind the glass matter. If you are still choosing a print, start with How to Buy Your First Art Print.